Tonal Theory (I and II)

One of two (or two of three) courses usually taught by Visiting Associate Professor of Music Marty Ehrlich. Currently Tonal I is taught by Junko Oba

Tonal I
Focuses on the development of analytical and critical tonal music skills. Topics covered include harmonic progression, voice leading and four-part writing, modulation and tonicization, secondary dominants, and rhythm. Music examples are drawn from the European classical repertoire as well as from jazz and popular music. Students complete weekly reading, listening, and composition assignments as well as a final project. Prerequisite: Musical Beginnings or permission of the instructor.

Tonal II
A continuation of Tonal I. Studies in part writing and voice leading, as well as continuing the process of understanding and using basic chromatic harmony. Large scale forms and structures. Some composition assignments will be included along the way as new theoretical knowledge is assimilated. Topics and repertoire for study are drawn from European classical traditions as well as jazz, popular, and non-western musics. Each student will also do a research paper, encompassing an analysis of a composition of an artist of their choice, and an historical and cultural overview of the composer's work. Prerequisite: Tonal Theory One or equivalent.

Everything Else
Tonal Theory I and II are offered in alternating semesters (Tonal I in fall, Tonal II in spring - however there is a possibility that this will be switched around). It is also necessary to have completed Tonal Theory I and II (or equivalent courses) to join the Jazz Improvisation Orchestra.